Previous Exhibition

 

Legacies of Love | a Natalie Laura King Exhibition

July 18, 2025 - September 18, 2025


Curated by Shaelynn Recollet

 

About the Exhibit

Legacies of Love, a solo exhibition by Natalie King (Algonquin Anishinaabe), is an exploration of relationality, responsibility, and the transformative journey of life through the Anishinaabeg cosmos.

Rooted in Natural Law and the principle of mino-bimaadiziwin (the good life), this body of work reflects on queer Indigenous embodiment, cosmic lineage, and kinship across generations and species. King’s vibrant figures, stars, and constellations move through the Seven Stages of Life, illuminating the fluid, cyclical nature of living and dying. In this universe, spirit is not elsewhere -it is everywhere. The paintings offer a vision of Two-Spirit and Indigiqueers as constellations of resistance and care, challenging linear time and fixed identity through motion, beauty, and ceremony.

Across this constellation of paintings, Legacies of Love honours the responsibilities we carry to each other and the land: to love, to witness, to remember. These femme star-beings are both ancestral and future-facing-shimmering with grief, joy, transformation, and the power of stories that cannot be forgotten.

 

Natalie King is a queer interdisciplinary Anishinaabe (Algonquin) artist, facilitator and member of Timiskaming First Nation. King's arts practice ranges from video, painting, sculpture and installation as curation.

Often involving portrayals of queer femmes, King’s works are about embracing the ambiguity and multiplicities of identity within the Anishinaabeg queer and 2S experience(s). King's practice operates from a firmly critical, anti-colonial, non-oppressive, and future-bound perspective, reclaiming the realities of lived lives through frameworks of desire and survivance. King’s works 

King’s recent exhibitions include POWER at ONSITE gallery (2024), World-builders, Spape-shifters at the Robert MacLaughlin Gallery (2024),  Come and Get Your Love at Arsenal Contemporary, Toronto (2022), Proud Joy at Nuit Blanche Toronto (2022), Bursting with Love at Harbourfront Centre (2021) PAGEANT curated by Ryan Rice at Centre[3] in Hamilton (2021), and (Re)membering and (Re)imagining: the Joyous Star Peoples of Turtle Island at Hearth Garage (2021). King has extensive mural making practice that includes a permanent mural currently on at the Art Gallery of Burlington. King holds a BFA in Drawing and Painting from OCAD University (2018).  Permanent collections include: McMaster University and the Doris McCarthy Gallery.

 

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Grandmother's Story | a Lisa Pitawanakwat Exhibition

May 5, 2025 - August 5, 2025


Curated by Shaelynn Recollet

 

About the Exhibit

I titled my exhibit, “The Grandmother’s Story” because I want to share a teaching given to me by Mike Bisson, Nigani. I will be sharing this teaching at my artist talk. Some of the paintings depict parts of the teaching but also my role as a grandmother. And reflects my role in giving back in this stage of my life, as a grandmother and a Midewin Kwe.

 

I also have included some of my older paintings to show some of my progression in art. To show people anyone and everyone is an artist in their own way. It could be the art they produce, the stories they share, crafts, the way they dress or wear the hair or make up, it's about self expression. And it can evolve over time.

Lisa is from Wiikwemikoong Unceded Indian Reserve, residing in Sudbury, Ontario. She is from the Mooze clan and is second degree Midewin. Lisa is a self taught artist. She likes painting in acrylics on canvas. She is also a traditional artisan, making traditional hide mitts, moccasins, beadwork and pow-wow regalia, and tanning fish skins. She is learning how to tan deer and moose hides.

Lisa began painting in 2009 with the encouragement of friend Christie Belcourt, who provided her with a space, paint, brushes and encouragement and guidance. Lisa has a painting on permanent display in Benetton Gallery in Turin, Italy. A commissioned piece of sewing/regalia/jingle dress at the McCord Museum in Montreal, Quebec.

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Home Slice | a Nico Williams Exhibition

October 30, 2024 - January 26, 2025



Curated by Shaelynn Recollet


Home Slice interweaves snippets of hazy memory and striking realism to explore the world of the pawnshop, a repository for anecdotes and rumors where hundreds of disparate objects stand side by side, vacillating between reality and fiction. Home Slice is inspired by a personal story from the artist's childhood, in which a family member stole and pawned one of his video games. The game, now irretrievably lost, has been the subject of all kinds of speculation and assumptions. Nico Williams is greatly influenced by popular culture and the aesthetics of the 1990s; he seeks to highlight certain cultural convergences between Indigenous and non-Indigenous practices through the representation of familiar objects from that period. Beadwork, an ancestral technique he reworks and updates and which combines tradition and modernity, becomes a vehicle for reflection and exchange between nations.

Nico Williams, ᐅᑌᒥᐣ (born in 1989) is a member if the Aamjiwnaang First Nation (Anishinaabe), currently living and working in Tiohtià:ke/Montreal. In 2021 he graduated with a Master of Fine Arts from Concordia University. He has presented his work on numerous occasions in Canada and abroad in solo and group exhibitions, notably at the Musée d'art contemporain de Montréal (2021), the PHI Foundation (2023) and the Armory Show in New York (2023). He has also received many awards and distinctions, including the prestigious Bronfman Fellowship for Contemporary Art (2021), and he was shortlisted for the Sobey Art Award (2022). His work is now part of major public and private collections in Quebec and Canada.